When I started doing field recording, I wanted to capture nature´s soundscape in every detail. It was exactly what I had been looking for in quite a while. I´ve been focusing on binaural recordings ever since interviewing Gordon Hempton for my website. Could you share more information about your setup and how you plan your recordings? One of your specialties is the dummy head recording. And I found a lot of them!įield Recording isn´t very popular like playing an instrument, but there are more field recordists in the world than you might think! It´s a huge, still growing, worldwide community and the internet makes it easy to get in contact with each other, to learn from each other, to discuss technical or designing aspects, or just to share recordings. I searched the whole internet for articles, reviews, interviews and likeminded people. Field recording was much more common than I thought. This was when I had the idea to record my own nature sounds for my music and sound experiments.Īnd this was when a whole new world opened up for me. Years later, whilst writing for a German online magazine which was dedicated to music software, I had the chance to test really cool gear, like portable recorder and microphones. Back then, I was trying to combine self-made ambient sounds and textures on the computer with real nature sounds. I started field recording as a hobby about six years ago, by realizing that recording sounds in nature is more fascinating for me than recording music at home. I´m also member of the Wildlife Sound Recording Society (WSRS). I´m an IT System Engineer and freelancing Nature Sound Recordist. I´m 37 years old and I live in Hamburg, Germany. Let’s start by introducing yourself and telling us a little bit about your background in sound? ,, Binaural nature recordings for games, IDCD 2015 Album, Guest Lecturer at „klingt gut! Symposium on Sound“ in 2016 Hi Sebastian, thank you for taking time and doing this interview.
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